Explore the captivating evolution of religious conversion depicted on the early modern English stage. This crucial study analyzes over forty canonical and lesser-known plays, highlighting how Elizabethan theatre profoundly questioned faith transformation, a departure from medieval traditions. Offering the first cross-religious exploration, this work provides a novel interpretation of Shakespeare’s Othello and reveals significant patterns in the stage’s treatment of religious identity. An indispensable resource for university students, literary critics, and theatre historians in India interested in Renaissance drama and the complex portrayal of faith.